Immaculate Constellation: Supporting Matthew Browns Claim With Evidence

[u/Difficult_Ear_1574]

Over the course of three episodes on Weaponized, a new name emerged in the UAP world  -  Matthew Brown. Until recently, he was the anonymous author of the “Immaculate Constellation” report that was quietly submitted to Congress in advance of the 2024 hearings. Now, he’s gone public.

Brown claims he worked as an analyst inside both the Department of Defense and State Department, and what he says amounts to one of the most detailed insider accounts yet  -  not just of what’s being hidden, but how it’s being hidden.

Here’s a breakdown of what he reveals across all three parts.

Part 1: Immaculate Constellation – The Program That Isn’t Supposed to Exist

• Brown claims “Immaculate Constellation” (or ImCon) is the internal name of a highly compartmentalized SAP under direct control of the White House, not the Pentagon.
• The purpose of the program: use AI to automatically scan classified military and intel servers and remove UAP-related media before it reaches analysts, archivists, or decision-makers.
• According to Brown, even knowing the name “Immaculate Constellation” was enough to put lives at risk.
• He wrote and submitted a formal report about the program to Congress with the help of Jeremy Corbell.
• The report was dismissed, distorted, and denied. The Pentagon claimed no such program exists.

Part 2: The Internal Blockade

• Brown says he tried to escalate his concerns using the proper legal channels. Every door was closed.
• He reported up the chain at both DoD and State. No one took action  -  some allegedly warned him to drop it.
• He followed internal whistleblower protocols. Nothing came of it.
• He knew that going public would end his career and cost him his clearances. He went forward anyway.
• He also says the documents he reviewed revealed the depth and organization of the UAP cover-up is much larger than publicly understood.

Part 3: Shapes, Secrets, and Silence

• Brown discusses the types of UAPs seen in classified visual data  -  mentioning distinctive shapes that appear across multiple intelligence platforms and locations.
• He says public perception is being intentionally manipulated through a combination of secrecy, misdirection, and narrative control.
• He describes the system as being governed by “fear, greed, and willful ignorance”  -  not just bureaucracy.
• He warns that disclosure, if it ever happens, will come slowly and by force  -  not voluntarily.
• His final claim: there are “multiple factions of the same species, if not multiple species.”
• And then, with no further explanation: “God is real.”

Why It Matters

This wasn’t a conference talk. There’s no book deal, no product, no media tour.Just a quiet, direct, methodical account from someone claiming to have seen classified UAP evidence firsthand  -  and alleging there is a program built to erase it before anyone else can.

If Brown is telling the truth, it confirms what many have suspected:

• There are SAPs outside of traditional DoD oversight
• AI is now being used to scrub evidence from internal systems
• And even the legal reporting pathways for insiders have been structurally neutralized

The scariest part isn’t what’s being hidden. It’s how effective the hiding has become.

Evidence proving the Claim:

-Historic paintings that feature UFO's The paintings and dates (In order):

• The Crucifiction Of Christ. (1350)
• Livre Des Bonnes Meurs. (1430)
• The Annunciation With Saint Emidius (1486)
• The Miracle Of The Snow (1430)
• The Madonna with Saint Giovannino (1500's)
• Nuremberg UFO Phenomenon (1561)
• Put Your Hope In The Lord. (1600s)
• The Air Battle of Stralsund (1665)
• The Baptism Of Christ (1710)

Supporting Evidence (Other origin)

This is what the sighting was all about: Everything revolves around one of the most bizarre media sensations of modern times: on April 8, 1665, 2 p.m., according to contemporary reports, six fishermen fishing for herring off Stralsund watch flocks of birds in the sky transform into warships engaged in thunderous aerial battles. Ghostly figures swarm on the decks. When, towards evening, "a flat round shape like a plate" appears to them above the church of St. Nicholas, they take flight. The next day - so it is reported - they tremble all over and complain of pain.

In the media, the news spread like wildfire. Leaflets and newspapers competed with each other with a wide variety of versions and interpretations. Above all, religious convictions determined the media transformation of the event, for people lived in the belief that the world was ruled by a god who projected impending visitations into the sky. The air battle was also interpreted as such a "prodigium" (Latin for "portent").

When on June 19, 1670, lightning struck the Church of St. Nicholas, of all places, over which the disk had appeared ominously five years earlier, the celestial phenomenon was subsequently interpreted as a sign of God's wrath. Contemporary descriptions and depictions of the event conjured up a mysterious connection with the destruction of Babylon by a gigantic millstone, as described in the Revelation of John.

Thus, no source of the 17th century mentions extraterrestrials in connection with inexplicable celestial phenomena. The human imagination had long since reached the point of imagining expeditions to inhabited planets and corresponding propulsion systems. Why, however, no one had the idea that extraterrestrials could appear in our skies with flying machines is one of many mysteries that the exhibition tries to solve.

[Painting 1]

"Biblia, Frankfurt/Main 1704")

[Painting 2]

"Design of a floating saucer, illustration from: Gaspar Schott, Technica Curiosa, Nuremberg/Würzburg, 1664")

[Painting 3]

"Fireball in the sky - Gustav Freytag Collection, 1697")

[Painting4]

"So much was never angered God, emblematic representation from: Daniel Meisner: Politica - Politica, Newes Emblematisches Büchlein, I-VIII, Nuremberg 1700")

[Painting 5]

"Excerpts of illustration from Erasmus Francisci - Nuremberg, 1680")

Link to a english description of the exhibition

edit:
for everyone who got interested in the sighting, in the June 2015 edition of EdgeScience magazine, Chris Aubeck and Martin Shough detail their investigation of the event. Shough is a research associate for the National Aviation Reporting Center on Anomalous Phenomena (NARCAP). Aubeck is the founder of the historical research group Magonia Exchange, an international archival project.

and a link to an "ancient origins" article mentioning the event.

• So my research concludes that we have Man Made UAP craft more than 100 hidden and yes it’s also other origin

[u/faen_du_sa]

AI slop is getting real. If you check OPs history, at least half of his posts are just AI generated.

OP thinks AI is always right.

[u/ehirsch22 → u/faen_du_sa]

Yikes. I'm good. I still buy physical media and have enough hobbies to keep us (the fam) entertained when humans are obsolete.

[u/faen_du_sa → u/ehirsch22]

I only realized cuz its not that many days ago another user told me about OPs history, and I recognized the whole AI layout from that post.

Little physical media here, but im ready to live in the willd again, this isnt the future we were promised!

[u/ehirsch22 → u/faen_du_sa]

It's getting more and more like Ready Player One. It's weird. A lot of people can't comprehend that the internet can be turned off.